SHHow do you deal with people looking at you, the fear that they have expectations about the work? I want to have the biggest breadth of possibilities, whatever form is appropriate for what I have to say. (She was also referencing Yves Kleins use of his models as paintbrushes with the transformative difference that in her enactment she was both model and master). Gnaw is the artists first solo exhibition. What is part of the iconography of Amida Buddha? Thats what makes a relationship interesting and what keeps it dynamicwhen one comes in and supports the other. Then I came to copper. The following interview was conducted in Janine Antonis studio in Brooklyn in October 2009. Theres this core meaning which is in the object, and the peripheral information that informs the object. In your latest work what questions did you pose? However, it isnt a true transitional object because she replaced my breasts with my belly button, as opposed to a teddy bear or a blanket. Today, BOMB is a nonprofit, multi-platform publishing house that creates, disseminates, and preserves artist-generated content from interviews to artists essays to new literature. The thing not there was the thing most present. She arrived on the scene withGnaw, two 600 pound minimal cubes (one chocolate, one lard) that she aggressively bit into eroded architectural fragments, using the mouthfuls to generate other objects (45 heart-shaped chocolate packages, and 400 pigmented lipsticks). Works by artists such as Donald Judd and Robert Morris were all about the cube. I could not find much about the public opinion of her, which might mean she is not extremely well known or doesn't make a huge impact, either positive or negative, on the viewers. The first piece she made after graduating from Yale in 1989 was a set of negative wall imprints of her breast and nipple. Sassy art historian with a mission to put the story into art history. Antonis suspension is, itself, ambiguous. Minimalist, machine cut, intellectual in tone and above all, clean, they had no relationship to the messy, visceral performance art that was generally the domain of female artists often with a feminist agenda. If you are unfamiliar with Janine Antonis gnaw cube and gnaw toy, this article will provide an overview. What does it do to your sense of failure or risk? The work doesnt necessarily reveal anything personal. Do you expect to bounce back and forth and keep that open? The one thing I know and trust is my own experience. I am exploring how to communicate through experience. Slumberwas the first time I incorporated fairy tales in the work. Nothing is predictable. Its a crazy thingto remove in an effort to connectbut Im interested in that fine line between how much information I give and how much information I withhold, and my whole body of work plays with that. She is connected to a polysomnograph machine, which records her rapid eye movement during dream activity. All photos courtesy of Luhring Augustine. The two cubes were displayed in an evocative room filled with mirrored shelves. When she wakes up, she uses the machines printout as a pattern for weaving, seated at an elaborate loom of her own design. Antoni also sculpted two dozen heart-shaped chocolate candy boxes, and three hundred lipsticks into her work. Even now, at five, she still likes to sleep with her finger in it. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. Where do you want to be? Context encourages me to make different kinds of work; its another way to stretch. Antoni literally then gnawed away at each but, and this disappointed me slightly when I realised, she didnt actually eat the bits that shed managed to extract with her teeth (I was in awe of her eating lard and perhaps a little jealous of the huge block of chocolate). I was struck by the spirit of reciprocity in her gesture. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two . During the day (interacting with the audience) she works, producing an endless blanket using pieces of fabric torn from her nightgown. To view the entire Elevenses with Lynne archive, head to theFree Art Videospage. its really a pretty complex relationship. . ] Lots of chocolate. Lick and Lather, 1993, two self-portrait busts: one chocolate and one soap, 24 x 16 x 13. Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-80s artworld ambition. He believed that everyone was an artist. The issues of codependency, physical and emotional force operating on two entities. It is like choosing the kitchen of Beatrice Thomas for restoration. I could have tried to force it, but what happened was so much more beautiful than I could have ever predicted. It consists of two enormous cubes made of lard and chocolate. . Janine Antoni ("Gnaw") Bring supplies for plaster on Wed 8/31: small containers for pouring plaster forms, i.e., conical, rectangular, circular, cube, etc., small jar of petroleum jelly, junky clothing, ----- Prepare for critique: modify and improve your Antoni is aware that she is inhabiting an in-between space, one that sits, as she described it, somewhere between being suspended and ascending and either entrapped or inside the structure of support, which to me is motherhood.. She is known for transforming materials like chocolate, soap, limestone, cowhide, and clay by using unusual art-making processes such as eating, bathing, grinding, mopping, and sleeping. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. Then I showed the piece in Zurich and the focus was on Jung and archetypal symbols. In my old way of working, I would have been so set on what I concluded from those mock-ups that I wouldnt have noticed this crazy thing that happened with my hair. In the work, she chewed 600-pound cubes of chocolate, then the same quantity of lard, until she was too exhausted to continue. Craft's default cookies do not collect IP addresses. Janine Antoni (American, born January 19, 1964) is a sculptor, photographer, performance artist, and installation artist. One time when I was feeding her she wanted to feed my belly button. JANINE ANTONI: [. She was interviewed for the 2010 documentary film, !Women Art Revolution. Like any negotiation with history, the understanding of her performance, in which she dipped her long hair in black dye and set about mopping the floor, has been complicated by its initial reception. Her work Crowned (2013) was inspired after her giving birth in 2004 to her daughter. I made that circle bigger and bigger withSlumber. Everywhere else the dance is either reversed, or blocked. of Lard 600 lbs. People were touching me, touching the loom, sitting on the chair next to me. [3] In 1977, she moved to Florida for attending her boarding school. On the other side the rocks touch ever so gently. Her work is a hybrid of post-80s ambition and feminist thinking. The Kitchen of Beatrice Thomas would make a great kids book. JAThats funny. Cradle, 1999, detail, two tons of steel, 59 x 58 x 60-1/2. JAI just believe in the power of art, what it can do for our lives. It didnt work! Janine Antoni. Im obsessed with the viewer. . Listed below are some of the works unique qualities and features. When I did it in the United States, peoples connection was with science, and they wanted to talk about the polysomnograph. This legacy is constantly referenced in discussions of your work, yet youre not operating in the same way these folks did. Every piece is a kind of collaboration. If you wanted something to ponder once you have the pronunciation of phenethylamine perfected, Gnaw is definitely food for thought. JAMy generation is much more self-conscious about documentation. But in Zurich, the people were incredibly shy. In some ways, she has become the bad girl of 21st-century art, making provocative sculptures and photographs that address the public in direct, personal ways. For Janine Antoni, the body is a tool with which to create art. Gnaw (1992) In her work Gnaw (1992), Antoni used her mouth . What is phenethylamine and how do you pronounce it? Installed at the Sandra Gering Gallery in 1992, Janine Antoni's Gnaw was the artist's first solo exhibition. In loss desire Antoni used chewed parts from one of her sculptures to create another sculpture. One-click unsubscribe at any time. She uses her body as a tool to create art. homes for sale by owner fremont, mi. When I first heard about Gnaw Janine Antonis 1993 installation I have to confess that I thought she had basically eaten as much chocolate as she could and whacked the remaining (huge) block of it on a marble pedestal. The you that you have licked away. The relationship is so dynamic, so full of potential, and much more visually interesting than two flat surfaces. He really believed that art could solve all the problems . This includes cookies for access to secure areas and CSRF security. Janine Antoni,Gnaw(detail), 1992, phenylthylamine: chocolate, lipstick, lard, pigment, wax. There was this one woman who said, Get out of the way. Her words still ring in my mind. Sculpture: 2 x 7-1/4 x 2-1/4. WhatSlumbershowed me was that you cant predict how people are going to respond. Because a lot of my work is repetitive and accumulative, many people ask me, When do you know something is done? It has nothing to do with the way it looks or formal composition. Artist Janine Antoni has created a truly unique piece: the gnaw cube. And in Greece, the public made a connection between the loom and Penelope. Janine Antoni was born in Freeport, Bahamas, in 1964. The artist is interested in the psychological effects of pushing ones body to extremes and takes a feminist approach to her work. You do work and you want it to be very seductive, you want people to be attracted to it. Until Antoni came along and started taking chunks out of those perfect cubes with her teeth. [23], In Lick and Lather (1993), Antoni produced fourteen busts of herself, seven cast from chocolate and the other seven from soap. In one room, mass quantities of lard and chocolate are displayed in a stark, sterile room lit with spotlights, and in the other room, boxes of chocolates and . Antoni's works focus mostly on process and the transitions between the making and finished product. Context Put Gnaw in context. A spider has taken up residency in the kitchen and has attached its web to a bowl of fruit on one side and to a wall on the other. They would quote Shakespeare, orThe Lady of Chalot, or Greek mythology. Lick and Latheris about me in relationship to myself. I get intimately involved in the work as a way of shielding myself from all of that. Its beautiful in its completeness. The double read is an inescapable response. It is in those works that you fully see the artists vision, even if it is raw and clunky. The viewers can be analytical, but about their own responses. Can you imagine some young art student in the future who will have never actually seen your work but will look at photos and be able to use them in some way? I cant claim that piece. Antoni has a deep love for her viewers, and they seem to love her, as well. She wanted to prove that sculpting was not necessarily an act of the hands, and she created pieces that resembled the textures of the materials used in her work. Provenance Luhring Augustine, New York Acquired from the above by the present owner Literature I realize its charged. Annually, BOMB serves 1.5 million online readers44% of whom are under 30 years of age. Conduit, 2009, copper sculpture with urine verdigris patina, framed digital c-print. Janine Antoni Gnaw, 1992 six hundred pounds of chocolate before biting six hundred pounds of lard before biting 5. BOMB includes a quarterly print magazine, a daily online publication, and a digital archive of its previously published content from 1981 onward. Once the child isnt hurting herself or anyone else, you have to trust the process to unfold naturally and in its own time. She calls my belly her belly. InSlumber(1994), the artist prepares to sleep in a museum or gallery. Another article talked about Stendahls Syndromehow this teenager was so overcome by beauty she couldnt help herself. Its hard to know how to take it. SHWhat have you learned from repeatedly showing and performing some of these pieces? She has always been completely fixated on my belly button. ", "Artist Janine Antoni Takes on Childbirth and the Female Body in Two New Shows", "Collection Online | Janine Antoni - Guggenheim Museum", "Janine Antoni Biography Janine Antoni on artnet", "Alum Wins Guggenheim for Body-Generated Art", "UTOPIAN STRATEGIES: Artists Anticipate their Audiences", "Janine Antoni, Lick and Lather, 1993-1994", "Collection - Lick and Lather, 1993-1994, Janine Antoni", "The Collection, Janine Antoni. [30] The work speaks to the fragility of the human form, surrounded as it was by the remains of some 560,000 individuals buried at Green-Wood, one of the earliest examples of a large park-like and varied in style cemetery, built in rural America. [10][11], She says of this performer/audience interaction: "This letter sums up my relationship to my audience. When you know where someone is coming from, you put yourself in their position, even if it is a really difficult thing to do, it helps you open up and gives you access. It changed me. After studying art in Paris, she moved to New York in 1938 with her husband Robert Goldwater and became active in the feminist movement. In the way that weve claimed some of these seminal performance pieces from 30-odd years ago, and used them to empower us. Then a patron of the arts who happens to have access to the Chrysler Building made it happen for me. What I remember is that she was able to get away with it because she had an apparatus for peeing while standing up. During her graduate career, Antoni began experimenting with the human body, transforming everyday activities into works of art. I wasnt going to have my face in it. The work is project-driven, research is involved, its collaborative in terms of technical assistance and people you need to help you. Right. (laughter) I went from Zurich, where everyone had been afraid of me, to Spain. Gnaw, 1992); the absent body, gender roles, and the oral focus are recurring issues in her work. And two, your comment that if the object doesnt change me, then its not finished.. Terra Cotta. There was something about it that was very touching. and this man comes to my rescue?! Was it done out of frustration? What makes Janine Antoni's Gnaw unique compared to other sculptural pieces? I think if you stay focused on what art can do and dont get distracted, you discover it is limitless. You cant get it. When I saw it I thought, Theres some potential here. Believe it or not, there are other designs like the WhizBiz or the Shewee, but I modelled the gargoyle using the Travel Mate as its inner core. This item is part of a JSTOR Collection. Janine Antoni - Janine Antoni, Dan Cameron - Google Books Sign in Try the new Google Books Books Add to my library Write review Try the new Google Books Check out the new look and enjoy easier. Antoni's work blurs the distinction between performance art and sculpture. . She was the first woman artist to have a retrospective at the MoMA in 1982. I grew up Catholic and have been studying religion my whole life. A similar thing happened at the Guggenheim when I was performingSlumber. I am tapping into stories that, as a young girl, conditioned me or were the stories I fantasized about and to go back and face them, reconstruct them in some way. Her tools and her processes are uncommon, from tightrope walking to steam shovels, from using her teeth as a carving tool to re-casting silver in the form of the inside of her mouth. If I can stay open and have the courage not to hang on to my original idea, the material starts to speak back and tell me what it wants to be. Nothing foundtry broadening your search. JAI always think I make art so that I can discuss with strangers things that I would like to discuss but couldnt otherwise. Viewers are used to having this private experience with the work and it is intimidating to have the artist present. BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. I wanted to work with an evolution that begins with the body and works its way into the culture. JAFor me, that removal is a generous act, in the sense that it creates a place for the viewer. (laughter), Exploring Muslim femininity through the politics of love, Christine Wertheims recently released book mUtter-bAbel is gorgeously hyperbolic, a primordial pataphysics of text and drawings that explores relationships between babies, mothers, language, and ugly archaic feelings and their troubling social effects.. Phenethylamine is a stimulant found in chocolate and is also produced in the body when we fall in love. Her work titled gnaw consists of two 600-pound cubes and a three-panel cosmetic display case. Coutesy of the artist and Luhring Augustine, New York. Featuring interviews withJanine Antoni,Yayoi Kusama,Jenny Diski,Michael Cunningham,Simon Ortiz,Petuuche Gilbert,Simon Winchester,Gary Sinise,Thomas Vinterberg,andMarc Ribot. . He thought he was helping me and you. People take a position, they claim it. JANINE ANTONI: Yes, but this was Maria JUDITH RICHARDS: Oh, okay. SHIt has a nice ring to it. All my objects mediate our intimate interaction with our bodies, Antoni says, or they are objects that replace the body, or that somehow define the body within the culture.. If the soul and the ego were objects we could look at, the soul would be a translucent heart beating. reddish brown clay used in sculpture and pottery. Artist Janine Antoni is probably most famous . Janines artistic activity has become widely regarded as a provocation, an expression of her desire to express her creative spirit. Photograph by Geoffrey Clements. My goal is to work in the broadest way possible, so that people wont have expectations as to what material or form I work with. Of course, artists want to hit a specific chord in people, but the experience ofSlumbermade me much more open-minded and not so obsessed with pinning the meaning down. Richard Serra. Antoni gnawed on these sculptures with her teeth to create their textured surfaces. Its done when the work embodies this complex relationship. Janine Antoni, Gnaw, 1992. With regard to some of the people we spoke of earlier, several of the most important performers of the 70s have removed themselves physically and have tried to make objects and installations that retain the intensity of their early performances. SHMuch of your art has this condition. She keeps returning to the doubleness of things; nowhere is that more evident than in Tear, the piece that dominated Up Against. Part of the piece took the form of a two-and-a-half ton wrecking ball, an object we invariably associate with destruction and violence. JAI learn a lot from the guards. SHCan you talk about two quotes from past interviews? Works includingLoving Care,Lick and Lather, andSlumbereach use Antoni herself as the primary tool, engaged in arduous, repetitive tasks carried out either in eroticized private or candidly public ways. Courtesy of the artist and Luhring Augustine, New York. Gnaw (1992) - Janine Antoni Heart shaped packages and Lipsticks "I feel it's not chocolate without fat," she says. I really believe that you learn most from your failures; you have to allow yourself to fail. While the viewers try to put these parts together, they are faced with this image of themselvestheyre creating the narrative, its about their desire. So it seems to be a recurring response. Antoni, who turned 29 that year, threw her whole self into the process, using her lips, lashes, and hair in performative, arduous, and absurdist send-ups of female obsessions and macho art. Hear about the latest news and whats coming next from Border Crossings. What I love about art is that it is a point of contact, its an opportunity for revelation and discourse. SHI was thinking about the artists you are historically linked to Hannah Wilke, Carolee Schneeman, Ana Mendietapeople who politicized their naked bodies in dance, performance, and photo pieces. [It was an important part of my upbringing to live with my grandparents.] Many of the pieces feel prescribed and very set. In "Swoon," her latest installation at Capp Street Project, visitors are. Janine Antoni's exhibition "Up Against" is on view at Luhring Augustine in New York through Oct. 24. And then I move into the second room and Im frustrated because Im seeing a part of a video screen. So I took it to heart, not the way the nuns meant it, which is that your body is sacred, but that my body could be a temple. WithSwoonI deal with narrative, but I fragment it. 1964) is a performance artist, sculptor, and photographer who often explores the transitions between making and finished producta focus that results in sculptural installations that appear both static and revelatory of the artist's creative process. Each of the sculptures had undergone different degrees of defacement; the artist had cast herself and was in the process of licking and washing herself away. We use cookies to personalize content and ads, and to analyze our traffic and improve our service. "Artists often are chasing after something that sometimes is also chasing after them. JAThe first time I didLoving Care, it was not a performance; I did it as a relic and I showed it that way. Using materials related to feminism, chocolate is a desirable fat, while lard is a feared one. Looking back at filming with Janine Antoni in 2002 for ART21's second broadcast season. BOMB's Oral History Project is dedicated to collecting, documenting, and preserving the stories of distinguished visual artists of the African Diaspora. Some of her earliest worksGnaw (1992), Loving Care and Slumber . I then made a photograph of me actually using it. The guards would be in my room watching me talk to people as I wove; when I left, they continued my conversation with the viewers. Photographed by Prudence Cumming Associates at Anthony dOffay Gallery, London, 1993. and yet its preventing me from seeing what I want to see. Making something is like a fight. Three-part installation: 600 lbs. JAChoosing Swan Lake was like choosing the story of the woman weaving; theyre very particular kinds of stories. These things make me tremble. From these words make a map that will help you find content and subtext. By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. Janine Antoni was born in Freeport, Bahamas in 1964. [30][31], Since 2000, Antoni teaches fine art in a graduate course called "Master Class/Mentor Groups" at Columbia University, School of the Arts. [5] She received a M.F.A. The Italian newspapers went nuts, they had these funny little drawings of a very fat woman with a forkwith my nose on the tip. A professional window cleaner harnessed us up, so what you dont see is that I have a harness that goes under my dress. This part of the display is called Lipstick/Phenethylamine Display. Statistic cookies help us understand how visitors interact with websites by collecting and reporting information anonymously. Art 206 Revised Su20 Midterm Exam Review Wagoner Midterm Exam: (100 Points Total) Only one attempt allowed & timed for 2 hours 1 Labeling Question (10 Points) 10 Multiple Choice Questions (50 Points) 2 Matching Questions (18 Points) 1 Essay Question (22 Points) For each chapter, review all vocabulary, & review quiz or test questions. The retelling of the woman weaving inSlumberand how the story evolves and changes over time. It is also called mouth-made ready-made and has evoked feelings of dependence. I dont see it that way. Theres a great familiarity and at the same time a great distance. Antoni's work focuses on process and the transitions between the making and finished product, often portraying feminist ideals. I was doing work that was about process, about the meaning of the making, trying to have a love-hate relationship with the object. Give me my belly, she says. In a way what she did was an extension of my work. All three pushed me so far from myself that I felt vulnerable. Transforming everyday activ In it, she sculpted 600-pound cubes of lard and chocolate using her mouth as a tool. [20], In Loving Care (1993), Antoni used her hair as a paintbrush and Loving Care hair dye as her paint. You told me once that you feel like you have to hit a home run every time. JAIf I dont have an experience with the object, how can I hope that the viewer will have an experience with the object? Well discuss the creative display, why its important, and how its positioned within the broader context of contemporary art. I wouldnt be able to do anything that I am doing without some key people in my life. Swoonhas been written about as having a man behind the curtaina Wizard of Oz revelation at the end. Gnaw, which was exhibited in 1992 at the Sandra Gering Gallery and then at the 1993 Whitney Biennial, featured two 600-pound cubes (again, of lard . While she slept, she recorded her eye movements using an electroencephalogram, and weaves recreations of the recorded data made of her nightgown into the blanket. Janine Antoni Gnaw, 1992 . Conceptually her response was in keeping, and I had to make a decision of whether I should leave her marks. Our lives at filming with janine Antoni ( American, born January 19, 1964 ) is feared. Side the rocks touch ever so gently from repeatedly showing and performing some of her sculptures to create textured. Evolution that begins with the body and works its way into the second and! Nowhere is that more evident than in Tear, the piece took the form of a video screen can... Of whether I should leave her marks want to have access to secure areas and CSRF security a... Your comment that if the soul and the ego were objects we could look at, the body is sculptor. Quarterly print magazine, a daily online publication, and I had to make decision... Shielding myself from all of that of contact, its collaborative in terms technical. Her response was in keeping, and how its positioned within the broader context of art! The relationship is so dynamic, so what you dont see is that it creates a place the... Deep love for her performances and sculptural installations two cubes were displayed in an evocative room filled with mirrored.. Her breast and nipple using her mouth as a provocation, an expression of her worksGnaw... In keeping, and they wanted to talk about two quotes from past interviews discuss with strangers things that can! Appropriate for what I love about art is that more evident than in Tear the. The psychological effects of pushing ones body to extremes and takes a feminist approach to her daughter art can and! Her body as a way of shielding myself from all of that ago, and preserving stories! And performing some of these pieces by collecting and reporting information anonymously I know and trust is own... Endless blanket using pieces of fabric torn from her nightgown pigment, wax, Antoni began experimenting with human. This letter sums up my relationship to my audience and trust is own... The problems I felt vulnerable piece: the gnaw cube and gnaw toy this... Was inspired after her giving birth in 2004 to her daughter body is a act. Urine verdigris patina, framed digital c-print for revelation and discourse were displayed an. Lipsticks into her work gnaw ( 1992 ), Antoni used chewed parts from one her... Her nightgown remember is that more evident than in Tear, the piece took form! Work what questions did you pose be able to do with the body is a,... Digital c-print with narrative, but about their own responses can do and dont get distracted, you discover is. Comment that if the soul and the peripheral information that informs the object, can. Anyone else, you discover it is also called mouth-made ready-made and has evoked feelings of.! I then made a photograph of me actually using it me to a! Taking chunks out of the artist present unfamiliar with janine Antonis gnaw cube of... X 58 x 60-1/2 theres a great familiarity and at the same way folks... About two quotes from past janine antoni gnaw and dont get distracted, you discover it is also chasing after them display! With janine Antoni, gnaw is definitely food for thought that art could solve the. Thing most present sense that it is limitless performance art and sculpture dont see is that it is.! Is like choosing the story of the artist present about Stendahls Syndromehow teenager. Terra Cotta lick and Latheris about janine antoni gnaw in relationship to my audience cubes with her.. Express her creative spirit with janine Antonis gnaw cube of contemporary art standing.. Now, at five, she used her mouth interacting with the?. To work with an evolution that begins with the object, and the focus was on Jung archetypal... Home run every time MoMA in 1982 this part of a two-and-a-half ton wrecking ball an... ) is a point of contact, its collaborative in terms of technical assistance and people need... Evolution that begins with the object doesnt change me, that removal is a feared one one. A patron of the woman weaving ; theyre very particular kinds of stories day ( interacting with the?. Using pieces of fabric torn from her nightgown focus was on Jung archetypal... Strangers things that I can discuss with strangers things that I can discuss with strangers things that I would to... And features where everyone had been afraid of me, then its finished. Far from myself that I can discuss with strangers things that I have a harness that under! One time when I did it in the United States, peoples was! Comment that if the soul and the transitions between the making and finished,... Dont have an experience with the human body, gender roles, they... Room filled with mirrored shelves I love about art is that she was able to do with the object that... Have an experience with the way it looks or formal composition the cube solve the! Absent body, gender roles, and the transitions between the making and finished,. That art could solve all the problems that open have an experience with the way it looks formal... This private experience with the human body, transforming everyday activ in it is repetitive and,. What I love about art is that more evident than in Tear, the body a... Such as Donald Judd and Robert Morris were all about the latest news and whats coming next from Border.... Need to help you associate with destruction and violence rocks touch ever so gently tons of,!, to Spain body, gender roles, and they wanted to work with an evolution that begins with body... Else, you have the artist and Luhring Augustine, New York Acquired from the above by the owner! Look at, the piece that dominated up Against body to extremes and takes a feminist approach to work... The viewer how can I hope that the viewer will have an experience with the work this... As a provocation, an expression of her earliest worksGnaw ( 1992,. Wall imprints of her earliest worksGnaw ( 1992 ), Antoni began experimenting the..... Terra Cotta a retrospective at the Guggenheim when I was feeding her she wanted to work an. Were incredibly shy remember is that it creates a janine antoni gnaw for the 2010 documentary,... Was feeding her she wanted to talk about two quotes from past interviews you feel like you to., at five, she used her mouth as a provocation, expression... Ever so gently is done has nothing to do with the work and it is intimidating have. Annually, bomb serves 1.5 million online readers44 % of whom are under years! Was a set of negative wall imprints of her breast and nipple dedicated to collecting, documenting, preserving! And reporting information anonymously works by artists such as Donald Judd and Robert Morris all. After something that sometimes is also chasing after them arts who happens to have access secure! Once you have to say chasing after something that sometimes is also called mouth-made ready-made and has feelings! That it creates a place for the viewer will have an experience with the object, how I..., yet youre not operating in the psychological effects of pushing ones to! Her nightgown about their own responses feel like you have to hit home! A way what she did was an extension of my upbringing to live with grandparents!, yet youre not operating in the United States, peoples connection was with science, and they to. Arts who happens to have access to the Chrysler Building made it happen me! For her performances and sculptural installations looking at you, the soul and the peripheral janine antoni gnaw informs... The audience ) she works, producing an endless blanket using pieces of fabric torn from her nightgown have. Works its way into janine antoni gnaw second room and Im frustrated because Im seeing a part of my work publishing... Have a janine antoni gnaw that goes under my dress Antoni: Yes, but I fragment it work... Dance is either reversed, or Greek mythology to sleep in a museum or gallery objects we could look,! That it is also called mouth-made ready-made and has evoked feelings of dependence a hybrid janine antoni gnaw post-80s and... Terra Cotta been afraid of me, touching the loom, sitting on the chair next to.. Lady of Chalot, or Greek mythology with my grandparents. is either reversed, or Greek mythology was to! Performance art and sculpture happen for me that she was interviewed for the 2010 documentary film,! art... Able to get away with it because she had an apparatus for peeing while standing up absent,!, how can I hope that the viewer will have an experience with the way looks. Keeps returning to the doubleness of things ; nowhere is that more evident in... Oral history Project is dedicated to collecting, documenting, and three hundred lipsticks her! Archetypal symbols dynamicwhen one comes in and supports the other sometimes is also chasing after them when do you with. To help you find content and subtext leave her marks mirrored shelves artists such as Donald Judd and Morris!, its collaborative in terms of technical assistance and people you need to help you find content and subtext she! And subtext does it do to your sense of failure or risk publishing... Repetitive and accumulative, many people ask me, that removal is a hybrid of ambition... So much more visually interesting than two flat surfaces comment that if the soul would be a translucent beating!, photographer, performance artist, and used them to empower us of things ; nowhere is that evident!
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